Revival

Minus 16

Summary

SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
SAABA / Minus 16
Choreographies by _Sharon Eyal_ and _Ohad Naharin_
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin
Choreographies by Sharon Eyal and Ohad Naharin

Ohad Naharin is a world-renowned Israeli choreographer and the inventor of the Gaga movement language, which, originating from the Batsheva Dance Company in Tel Aviv, has now spread globally and is taught worldwide. To allow dancers to form a personal and emotional connection with the material and the moment of the performance beyond the choreography itself, the Gaga method works towards complete emotional openness.

Naharin’s famous and ever-relevant piece Minus 16 makes this very theme its focal point. With energetic soundtracks of popular Cuban and Israeli music, the piece is individually interpreted and powerfully brought to life by a large ensemble. The positive dynamic is infectious, and the contagion is intentional. Since its world premiere in 1999 at the Nederlands Dans Theater, the piece has regularly garnered standing ovations—a captivating event for both the audience and the dancers.

SAABA is the fourth work by the internationally celebrated choreographer Sharon Eyal, presented by the Staatsballett Berlin. Once again, she creates a fascinating and mysterious universe of movement formations and rhythms. The pulsating electronic music by Ori Lichtik blends with the more concrete melodic patterns of existing music tracks, creating an oscillating soundscape. Sharon Eyal’s distinctive style, characterised by hypnotically pulsing energy, unfolds its full impact against this expressive auditory backdrop.

Videos / Trailer

Dates

2025
2025






2026
2026


 
Info

Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
3:00 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:00 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
6:00 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Deutsche Oper Berlin
7:30 pm
1 h 50 min incl. one intermission
Introduction 45 minutes before curtain.
Family performance

17.30

5

Family workshop

To prepare the visit to the opera, participants are introduced to the plot as well as important characters, and they also rehearse short dance scenes. Valid only in combination with a visit to a family performance.

 
Registration required

Tel: 030 34 384-166
E-mail: contact@tanz-ist-klasse.de

«Mystery and fragility, mature awareness and the ability to dream»

Maria Grazia Chiuri, Creative Director of Women's Collections for Dior

I became acquainted with Sharon Eyal’s work through Carlo Fuortes when he was director of the Rome Opera.

Our collaboration began when I presented my collection dedicated to dance – the Spring-Summer 2019 ready-to-wear collection shown in Paris in September 2018. I am really fascinated by dance—it engages me in all its expressions. It is simultaneously a liberating act and one that demands great discipline.

From the very start, my partnership with Sharon was characterised by our shared views and intentions. From that moment on, we built a rapport of respect and friendship, which has grown over time as we got to know each other. This has led to a genuine, deep bond and has resulted in many other opportunities to work together, both to present some of my collections and for Sharon’s artistic projects. In her poetics there is a deep connection that unites mystery and fragility, mature awareness and the ability to dream. It was the movement between these extremes that drew me in, a movement sharpened through a beauty defined by many layers, many levels, which can become even disturbing, oblique, less pacifying than it is a cause for reflection. A beauty transformed by time and the intensity of emotions.

Just as I do in fashion, Sharon Eyal celebrates the body in all its strength and suppleness, building relationships and creating atmospheres. So for SAABA, Sharon’s project for the Göteborg Opera in Sweden, I designed skintight flesh-coloured jumpsuits, in which the consistency could almost give way and morph into Dior lace, and then into rips, tears, stretches, into an evanescent materiality that reflects the idea of a beauty both delicate and strong, imperfect and therefore poetic.