Premiere

Winterreise

Summary

Musik von _Hans Zender_ nach _Franz Schuberts_ Winterreise\Choreographie und Inszenierung von _Christian Spuck_
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck
Musik von Hans Zender nach Franz Schuberts Winterreise
Choreographie und Inszenierung von Christian Spuck

Franz Schubert’s Winterreise (Winter Journey), a cycle of 24 songs for voice and piano set to poems by Wilhelm Müller, was created in the autumn of 1827, a year before Schubert’s death. The cycle is not only considered a pinnacle in Schubert’s songwriting but also the summit of the German art song in general. In 24 snapshots, Schubert kaleidoscopically unfolds the mood of a lost, wounded, and lonely character. Few works of art have so profoundly expressed the existential and torn nature of human existence.

The German composer Hans Zender adapted the cycle under the title: Schubert’s Winter Journey – a composed interpretation. Zender’s version for tenor and small orchestra, premiered in Frankfurt in 1993, is much more than a simple orchestration. Just as sensitively as radically, it reveals the disturbing potential of the cycle and approaches Wilhelm Müller’s poems once again in its own way. Zender delves into the darkest regions of human existence. With his interpretation, he brings forth emotions that pulsate beneath the surface in Schubert’s work and uncovers the eerie layers in the depth of the music.

Similar to Hans Zender, Christian Spuck’s staging is less about illustrating the external stations of the traveler and more about engaging in an extensive abstraction with the cycle. In a blend of large ensemble scenes and a variety of intimate solo images, Christian Spuck embarks on a journey into the innermost depths of human nature, exploring timeless themes such as love, longing, alienation, and abandonment.

Winterreise was premiered by the Zurich Ballet in October 2018 and awarded the prestigious «Prix Benois de la Danse» in 2019. Christian Spuck will be creating a new Berlin version of his choreography with the Staatsballett Berlin.

Dates

2025
2025




 
Info

Staatsoper Unter den Linden
6:00 pm
10 – 132
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
7 – 82
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
8 – 102
Introduction 45 minutes before curtain.
Family performance

17.30

5

Family workshop

To prepare the visit to the opera, participants are introduced to the plot as well as important characters, and they also rehearse short dance scenes. Valid only in combination with a visit to a family performance.

 
Registration required

Tel: 030 34 384-166
E-mail: contact@tanz-ist-klasse.de

Ballettwoche

25 May - 1 Jun 2025

Seven days of ballet en suite! In early summer, the Staatsballett invites you to a packed programme in two Berlin opera houses. With festive gala performances, highlights from the current repertoire, a special edition of Ballet Talk, workshops, as well as talks and exchanges with the artists, the Ballet Week offers an opportunity to immerse deeply into the world of professional dance.

And it is especially worthwhile with the TanzTicket: the season pass for 25/26 is already available at the Ballet Week, two months before the start of the new season, and offers a 20% discount on all performances.